He recently wrote about the folly of pretending to be unbiased, and I truly enjoyed his thoughts.
It's now obvious in my own life that critical objectivity is impossible. I can't review something solely on its merits, there are millions of arbitrary, personal-preference type filtering media that any piece of literature or film or art have to pass through before lodging somewhere in my love/hate cortex. This explains many things that had long been mysteries to me.I've touched on the problems with journalism--specifically, that its "objectivity" loses credibility due to advertising. Luke, however, goes in a completely different direction: he states that pretended objectivity itself is the culprit. While his article was mostly targeted towards criticism, he includes an interesting aside:
Why Roger Ebert liked Benji: Off the Leash, for example.
America is the only nation I can think of where journalists are expected to be objective. This is silly and ultimately dangerous. [...] Impartiality and journalism are so often placed in tandem that they've become synonymous with each other. "The narrator's style is so passive it's almost journalistic"--meaning unbiased, without commentary. The truth. This is patently untrue in most cases.I had a lot of fun with the latter part of Luke's piece, which presents a LiveJournal-esque version of Ebert's review of Benji: Off the Leash. I giggled.
An interesting guy with interesting thoughts. Read him.
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